For years I have been a writer, an editor and a teacher of creative writing. Now I want to share some of what I have learned along the way. Write On The Fringes is a blog about the dangers, the disappointments and the rewards of writing. It's a record of the writing of a novel, from the tantalising first inklings of an idea, through to the final draft. But above all it's an exploration of the art and the craft of writing and the nature of story, as well as a search for the essence of creativity and the complex nature of truth.


Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Thursday, December 20, 2012

2012 - Revelations

'The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.'
Albert Einstein

Earlier this year I wrote a post called Writing Through 2012. It arose as a response to the predominantly negative interpretation of the significance of 2012, and from asking myself if creativity is possible without hope? At the time, like many others, I had become focused on all that is wrong with the world in which we live, and as a result had sunk into a sense of bleakness and a dark depression. I had not understood the way our thoughts form what we fear and the way our fears become the focus of our thoughts – a  powerful catch 22 that traps us in a psychological prison that creates self-fulfilling prophecies.  

This has not been an easy year for many. Globally there have been heart breaking tragedies, injustices, betrayals and disappointments, but there have also been huge outpourings of compassion, peaceful demonstrations against violence, greater demands for transparency, integrity and honesty in government and the media. Humanity is beginning to change, beginning to seek a new and saner path and we are lucky enough to be a part of this change. 

‘The world is changing and the time has come to let go of the old ways, the ones that ensure the repetitions of history. Peace is a gentle thing that can no longer be fought for. Instead it will enter our hearts and spread from there like the ripples of a pebble dropped into a pond.'  These words form part of the epilogue to my novel, Flight. They are a cry of hope, a small force against the fearfulness that inhabits humanity’s collective consciousness, a fearfulness that is consistently fed by the negative focus of the media.  

The original post still speaks to the times we find ourselves in so I thought this a timely moment to repost it below. I wish you all a fearless, hopeful and joy filled festive season.  

Writing Through 2012
'The world is changing and we are changing with it. It is too soon perhaps to see how.'
Rosie Dub, Flight

It's only early March and I have already had a significant birthday, a new novel published and I've become a Doctor of Philosophy. There have been school holidays and guests, colds and overgrown gardens to attend to. Time seems to be speeding up, it's difficult (well actually impossible), to fit everything in each day. And not least of all, it's 2012; there are murmurings of dread in the air whispers of prophecies and predictions, the end of the world, wars, earthquakes, social disruption. . . . The news is full of injustice and upheaval, insane violence and corruption. 'The Apocalypse,' people are saying. 'The Mayans predicted it for 2012. It is coming.'

Needless to say, so far this year I've found it difficult to settle down and write, difficult sometimes to even credit the value of writing or to focus on anything positive. Because hope is what keeps us moving forward, it's what keeps us creating when around us is destruction. Without hope, we find ourselves sinking into a mire of helplessness and with that comes a shadowy inertness that becomes stronger and darker each time it is fed. Caught in this helpless spiral I found myself sinking quickly, and seeking more fuel to feed this hopelessness. I stared at the blank screen on my computer and found nothing to say, stopped writing in my journal, forgot I had a new novel to write, a new story to tell, something that sought harmony through chaos and beauty through ugliness, something that just might help provide a little nudge towards making this world we have created into a better place. I forgot why I had written Flight, what gifts it had given me and a growing number of readers. In short, I forgot the power of hope.

'We do not inherit the earth from our parents, we borrow it from our children.' I read this anonymous quote many years ago and at the time it shifted something within me, helping me to see from a different perspective, one that is not so much 'me' centred but rather 'world' centred, a perspective that reveals a bigger picture and a sense of responsibility. When I read this again recently, I realised that with three children growing into an uncertain world, it is vital for me to keep the flame of hope burning. In fact, it is my responsibility.

'Enough,' I said to myself and set about making a few changes. Firstly, I made the decision not to watch the news for a while, or anything else for that matter; no ruthless elimination shows, no violent dramas, no historical war documentaries and no flashy, inane celebrity shows. I went for a walk, then another, took up yoga again, made myself a vegetable juice, all the things I couldn't do when I was filled with hopelessness. Quickly I began feeling better. I looked at my journal again, went over what I had already written and once again began getting flashes of insights that I hoped would lead me back to my new novel. But all the time I kept wondering about this apocalypse business, wondering if it would be more useful to grow vegetables, put in a water tank, get off the grid, protect my children from the inevitable. . .

Frustrated, I looked up the word 'apocalypse' a term we associate with widespread destruction, with the end of the world as we know it. But in the definition I found something quite different. Apocalypse comes from the Greek word, apocalypsis, meaning a 'lifting of the veil' or 'revelation'. According to Wikipedia it means 'a disclosure of something hidden from the majority of mankind in an era dominated by falsehood and misconception'. Not an end then, far from it. Rather a time of change and a seeing through. A time perhaps when truth will be harder to hide. When humanity will look for different qualities in their leaders; integrity perhaps, compassion and honesty. Looking at it in this way, it is not an end but a possibility of a new beginning. With this definition in mind I can sit in front of my computer screen and find the words needed to create something new. Once again I have found hope and optimism and with it the possibility of action. And with that, the key to my new novel, Walking Between Worlds. 

Copyright (c) 2013 by Rosie Dub. All rights reserved. You may translate, link to or quote this article, in its entirety, as long as you include the author name and a working link back to this website:http://writeonthefringes.blogspot.co.uk/

Sunday, March 4, 2012

Writing Through 2012

'The world is changing and we are changing with it. It is too soon perhaps to see how.'
Rosie Dub, Flight

It's only early March and I have already had a significant birthday, a new novel published and I've become a Doctor of Philosophy. There have been school holidays and guests, colds and overgrown gardens to attend to. Time seems to be speeding up, it's difficult (well actually impossible), to fit everything in each day. And not least of all, it's 2012; there are murmurings of dread in the air – whispers of prophecies and predictions, the end of the world, wars, earthquakes, social disruption. . . . The news is full of injustice and upheaval, insane violence and corruption. 'The Apocalypse,' people are saying. 'The Mayans predicted it for 2012. It is coming.'

Needless to say, so far this year I've found it difficult to settle down and write, difficult sometimes to even credit the value of writing or to focus on anything positive. Because hope is what keeps us moving forward, it's what keeps us creating when around us is destruction. Without hope, we find ourselves sinking into a mire of helplessness and with that comes a shadowy inertness that becomes stronger and darker each time it is fed. Caught in this helpless spiral I found myself sinking quickly, and seeking more fuel to feed this hopelessness. I stared at the blank screen on my computer and found nothing to say, stopped writing in my journal, forgot I had a new novel to write, a new story to tell, something that sought harmony through chaos and beauty through ugliness, something that just might help provide a little nudge towards making this world we have created into a better place. I forgot why I had written Flight, what gifts it had given me and a growing number of readers. In short, I forgot the power of hope.

'We do not inherit the earth from our parents, we borrow it from our children.' I read this anonymous quote many years ago and at the time it shifted something within me, helping me to see from a different perspective, one that is not so much 'me' centred but rather 'world' centred, a perspective that reveals a bigger picture and a sense of responsibility. When I read this again recently, I realised that with three children growing into an uncertain world, it is vital for me to keep the flame of hope burning. In fact, it is my responsibility.

'Enough,' I said to myself and set about making a few changes. Firstly, I made the decision not to watch the news for awhile, or anything else for that matter; no ruthless elimination shows, no violent dramas, no historical war documentaries and no flashy, inane celebrity shows. I went for a walk, then another, took up yoga again, made myself a vegetable juice – all the things I couldn't do when I was filled with hopelessness. Quickly I began feeling better. I looked at my journal again, went over what I had already written and once again began getting flashes of insights that I hoped would lead me back to my new novel. But all the time I kept wondering about this apocalypse business, wondering if it would be more useful to grow vegetables, put in a water tank, get off the grid, protect my children from the inevitable. . .

Frustrated, I looked up the word 'apocalypse' a term we associate with widespread destruction, with the end of the world as we know it. But in the definition I found something quite different. Apocalypse comes from the Greek word, apocalypsis, meaning a 'lifting of the veil' or 'revelation'. According to Wikipedia it means 'a disclosure of something hidden from the majority of mankind in an era dominated by falsehood and misconception'. Not an end then, far from it. Rather a time of change and a seeing through. A time perhaps when truth will be harder to hide. When humanity will look for different qualities in their leaders; integrity perhaps, compassion and honesty. Looking at it in this way, it is not an end but a possibility of a new beginning. With this definition in mind I can sit in front of my computer screen and find the words needed to create something new. Once again I have found hope and optimism and with it the possibility of action. And with that, the key to my new novel, Between Worlds.

Copyright (c) 2012 by Rosie Dub. All rights reserved. You may translate, link to or quote this article, in its entirety, as long as you include the author name and a working link back to this website:http://writeonthefringes.blogspot.co.uk/

Monday, January 2, 2012

Rewriting The Future

'The world is changing and the time has come to let go of the old ways, the ones that ensure the repetitions of history. Peace is a gentle thing that can no longer be fought for. Instead it will enter our hearts and spread from there like the ripples of a pebble dropped into a pond.'
Rosie Dub, Flight

I love the new year. There's a freshness to it, a tantalising sense of opportunity and new beginnings. This is a perfect time to publish one novel and begin another. Today, as I sat down to begin my new novel, Between Worlds, a box full of copies of Flight were delivered. It was a precious moment to finally hold this novel in my hand. Like the new year, it feels like both an ending and a beginning; the book symbolises the end of my long journey of writing, as well as the beginning of its own journey, into the hearts and minds of readers.

As I start work on Between Worlds which, like Flight, is set in the present, I find myself pausing to wonder about where humanity is heading. We've reached 2012 and many people are falling into fear over Mayan predictions of the end of the world. I have no doubt that this is a time of change – we can see it in the Arab uprisings, the global economic downturns, the changes in our climate, the Occupy Wall Street demonstrations. . . The old structures are crumbling and the old powers are clinging onto the ruins, trying to ignore the fact that the people are now able to see through their ruses and will no longer accept inequity and abuses of power as a natural part of society. There is plenty of fuel for pessimism and fear but there is also plenty of fuel for optimism and hope. Each moment we have a choice to focus on one or the other, to see our glass as half empty or half full.

I'm turning fifty in a few days, so it is a natural time of reflection for me on the transitions of life and the inevitability of change. I know that I'm privileged to live in a relatively wealthy and stable society, though there's nothing to say that this will remain the case in years to come. I feel optimistic about the future of humanity and hope that I will be able to contribute in a positive way to creating a new way of living. Inevitably though, it is the younger generations who will bring about change and this is how it always is and how it should be, as is illustrated in the current upheavals around the world, the cycles that govern nature, and many of the greatest heroic myths. In The Myth of the Birth of the Hero, Otto Rank identified a common pattern of events in the life of heroes. The hero is usually a child of distinguished or powerful parents, and a prophecy usually accompanies his or her birth, warning that the child will cause the death of the father. Sometimes the father attempts to kill the baby, always to no avail. The baby is then put in a box and set adrift in the water before being saved by animals or people of low birth and brought up by them, unaware of his/her origins. At some point the hero must go on a quest in search of his/her origins and make retribution for the father's unnatural desire to halt change. It is necessary for the child to step into the father's shoes in adulthood, or on a cultural scale, for a new king to step into the shoes of the old king. When this potential is denied by the father then the cycles of life have been denied and stagnation sets in. It is the child's role to force change.

What astounds me is the integrity of today's young people, the extraordinary and mature way they are peacefully, but with determination, planting the seeds of change. From the crumbling ruins of the old structures is arising an amazing movement. No longer are secrets able to be kept hidden, no longer are lies upheld. Greed, inequity and corruption are being exposed. Eventually power will be something that can only be used with integrity, not kept for its own sake. I don't imagine it will be a smooth transition – change rarely is - but it will most certainly be interesting, which reminds me of the old curse – 'may you live in interesting times'.

The events that are happening in our contemporary world and the mythic theme of cyclic change are both deeply rooted in Flight, which begins with a prophecy concerning the protagonist, Fern: 'That one will be the death of her father. . . mark my words, the death of him'. This sets in motion a series of events which, as in myth, will inevitably lead Fern to her fate and hopefully to greater self-knowledge. Now, as I work on the sequel to Flight, I'm asking myself what the catalyst is that will force change by creating conflict and dramatic movement. But more importantly I need to know why there is a need for a catalyst. And of course the answer is that stagnation has set in. Fern has become too comfortable, she has failed to understand that transformation is a perpetual and vital process, not a product. As soon as the idea of self becomes crystalised, it must be transformed in some way, and if this transformation does not occur voluntarily, then it must be forced.

As with story, life is about change. So often we forget the cycles of nature, the waxing and waning of the moon, the course of the seasons, and the circular nature of our lives. Instead we cling to what we know, resisting the natural transitions in life, from child to teenager, to adult, to elder. Or more simply, we resist stepping from the known to the unknown. The wheel of fortune turns and we expend our energy on finding ways to stop it. Story is a reminder that change is natural, it helps us to link our lives back to nature and to understand that change is an intricate part of living. It also helps us to remember that life is a journey, which suggests movement, not stasis. By accepting the path of change, we develop. Like the seasons, stories remind us that life is cyclic, that change is inevitable. Whether or not we accept it, embedded in story lies the invitation to adventure, to journey, to evolve as humans - it's up to us.